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Tell me a story

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Conflicts lie at the heart of a captivating, dramatic story. Deeper the conflict, stronger the audience's identification with the characters. As dramatists say, the set-up  needs to be deeply involving. Stories are the best way of arousing emotions. The human brain welcomes a well-structured story. Since there is always a preconception based on the set-up, dramaturgy has a great scope in influencing a receptive audience. The process involves change. The audience shift from being uninvolved to involved. From ignorance to knowledge. But change scares many people. So, what's the solution? A set-up  that establishes(quickly) itself as serious and credible will create interest among the audience who will decide to stay until the end. And this makes them receptive to change. All stories operate on two levels - a ction  level(what happens) and narrative  level(how it happens). What the audience sees is a person suited up, an office setting and a couple of props. How

Power of visuals

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We live in a world ruled almost entirely by media, constantly bombarded with news and ads. How many of us find the time to read one complete article? The deciding factor is often the headline. We read if we find the title catchy. But what about pictures? We ignore some after a glance. We look at some to see what it conveys. But then, there are pictures we look at the second time. Something about them that's so captivating. Is it true that a picture's interpretation lies in the eyes of the beholder? Why are certain pictures so subjective that they draw our attention and demand an interpretation? How many of us can even be unbiased in judging a picture? The Pan Am and KLM planes just before the Tenerife Disaster (1977) The above picture might make no difference to a lot of people. But to those 61 survivors, this picture would be a lump in the throat with haunting memories. And, to this who lost their loved one's, this picture would ignite a thought imagining what